Here are some observations from a few of our past workshops.
If you are familiar with the other Celtic classes that Joy has done - Basic Square knots, Circular knots and Knots in odd shapes, then you will need to add the Triangular Knot to your repertoire!
Starting with the simple Trinity knot, you can make it into square or circular knots by linking them together - and just to make things a bit more complicated, you will learn how to split the bands and double up on the fun!
Sue will take you through the process of binding your own A5 hard-cover Coptic book, step by step. The book will have decorative paper covers and contrasting endpapers. Because of the exposed sewing and unlined spine, Coptic bindings are great for writing and drawing as the pages lie flat.
SLLA have made two private group bookings for the workshop space in the Orangery at the Fan Museum, Greenwich, on 24 June and 26 July. Participants will join the Fan Making Workshop Facilitator for a three-hour session, from 2-5 p.m. Entry to the museum and tea and coffee are included in the workshop price, and we can meet earlier to look around the museum (doors open at 11 a.m.).
SLLA have made two private group bookings for the workshop space in the Orangery at the Fan Museum, Greenwich, on 24 June and 26 July. Participants will join the Fan Making Workshop Facilitator for a three-hour session, from 2-5 p.m. Entry to the museum and tea and coffee are included in the workshop price, and we can meet earlier to look around the museum (doors open at 11 a.m.).
It’s fun, it’s lively and it’s contemporary! This workshop is an introduction to a script which is easy to learn for beginners and a light-hearted contrast to other hands for those with some experience. It can either be carried out simply in monoline form or penmanship skills can be developed using press and release techniques. This script is particularly useful for informal and spontaneous work like greetings cards, journals or little books and anyone can play with the letterforms, enjoying their happy-go-lucky stance on the page.
In this workshop we create colourful letter designs that are perfect on their own or can be used as a decorative letter as part of a larger calligraphic piece. We design our own letters, exploring mono-line and broad-pen letter variations. Next, we provide our letters with a colourful background using watercolours. Our colour palette is inspired by wildflowers and flowers from our own garden.
Who would have thought you could cover so many types of gilding in one day? I wasn't quite sure what to expect when I signed up for Jo Mabbutt's 'Experimental Gilding' workshop in March, especially when we knew her expertise was gilding on fabric and lace in particular, but she focused on paper for us calligraphers and left us with loads of ideas and options to follow up in our own time. Here was my creation:
In this workshop on 25th January 2025, participants were given the chance to explore a new script or to improve on a more familiar one. Tutor Sylvie Gokulsing demonstrated a variety of scripts throughout the day, including Uncial, Foundational, Italic variations and Gothic/black letter. Under Sylvie’s expert guidance, beginners learned the basics and refreshers delved more deeply into their chosen script. The class was fast-paced and culminated in a collaborative piece which Sylvie will bind for display at SLLA’s exhibition this summer.
Archibald Knox, from the Isle of Man, was a designer for Liberty's at the height of their success. His work is a unique combination of designs from the Arts and Crafts Movement, Celtic knotwork and Art Nouveau.
The Online Zoom Workshop with Josie Brown, on 30th November 2024, introduced lettering that is suitable for the interwoven decoration and we approached how to create the designs in a step by step manner. We also looked at which mediums work most effectively and tried out a technique that gives the effect of stained glass or enamelling.
On Saturday 2nd November 2024, a Zoom Workshop with Joy Daniels.
This class offers a chance to take your Celtic knot work to the next level. We will be building on the basic skills learned in the first class to make knots in different shapes and a circular Wreath Knot - perfect for a Christmas design! For this class you will need a compass for drawing circles and a protractor, in addition to the previous list of materials. We will be using some very basic geometry, but don’t be put off - it’s not scary!
On Saturday 21st September 2024, a Zoom Workshop with Joy Daniels, suitable for beginners. (There is a follow up workshop on 2nd November )
Learn how to unravel the intricacies of the Celtic Knot and design your own knotwork pattern. With a few simple rules and a square grid you will discover how to construct the simplest knot and then build on this to make more complicated patterns as the day goes on. Use these patterns with calligraphy, stone carving, lino cuts, stencils, embroidery, knitting etc., or just on their own as a beautiful design.
In this workshop we learned how to design and write out a small family tree. Trees could be real or imaginary: they could relate to fictional characters or even toys or pets, the choice was ours! Sylvie showed us several different examples of her own work and these were discussed and studied during the course of the day. We then spent time working with names (and dates) and considering the size, weight, style and placement of the text. By the end of the day it had been possible to complete a rough layout of a family tree with sufficient information to enable us to finish it at home.
Dressed in her trademark colours of red, white and black, Rachel gave SLLA members a one day workshop on abstract designs and large letters using a flat brush. Starting with examples of her wonderful abstract designs, Rachel explained to participants how they would be using a minimal palette to create maximum effect in a piece of work.
Several lucky people enjoyed a workshop on how to bookbind a simple stab-bound sketchbook under the guidance of Sharon Shaw.
We learned how to bind single sheets together for a collection of sketches and colour trials. We began with a simple four-hole Japanese style binding and then adapted the method to create more elaborate sewing patterns.