Workshop reviews

workshop

Here are some observations from a few of our past workshops.

Art Deco Lettering in the spirit of the Roaring Twenties

Art Deco Lettering in the spirit of the Roaring Twenties - a workshop with Els Van Den Steen (Saturday 4th May, 2024)

The geometric, pared down Art Deco style, reflecting the modern age of industrial power, confidence and optimism, flourished in Europe and in the United States during the 1920s and 1930s. This workshop is an introduction to Art Deco Lettering and Design from this era. Art Deco Capitals, based on the circle and the straight line, are highly legible and create a stylish impression. These streamlined letters are written with mono-line writing tools which makes them straightforward and fun to write.

NOTAN with Gwyneth Hibbett

NOTAN - a workshop with Gwyneth Hibbett on Saturday 9th March, 2024.

‘Notan’ is a Japanese term that means “light-dark harmony”. It is a design concept that explores the relationship between flat areas of dark and light in an image, and how to arrange them in a pleasing way. In this workshop we will be using Notan with both lettering and designs, with a view to thinking about positive and negative space, and creating eye-catching calligraphic compositions.

Marbling with Marmor paperie

The SLLA booked a session making Marbled paper with 'Marmor paperie'. We gathered in the Cockpits Arts Centre in Deptford, a lovely newly furnished space.

This was a partly subsidized session for members with Lucy, one of the few experienced experts offering training in the country. We had great fun learning about the history of marbling and techniques to create different coloured swirling designs. We all came away wishing we could do more.

Abstract Brush with Rachel Yallop

Dressed in her trademark colours of red, white and black, Rachel gave SLLA members a one day workshop on abstract designs and large letters using a flat brush. Starting with examples of her wonderful abstract designs, Rachel explained to participants how they would be using a minimal palette to create maximum effect in a piece of work.

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